Utagawa Hiroshige (1797-1858) Nippori Famous Places in the Eastern Capital (Tôto meisho) Woodblock #64732

This iconic woodblock print is the work of renowned Japanese artist Utagawa (Ando) Hiroshige. The print is titled Nippori, and is from the series Famous Places in the Eastern Capital (Tôto meisho). The print was produced around the mid 1800s. It has been mounted on heavy card. The print is showing age with discoloration, staining around the edges and a tear on the signature as shown in the photos. Please study them carefully for the full condition.

Card Size: 38.5cm x 52cm

Print Size: 24.5cm x 37cm

About The Artist:

Utagawa Hiroshige (/ˌhɪəroʊˈʃiːɡeɪ/, also US: /ˌhɪərəˈ-/;[1][2] Japanese: 歌川 広重 [ɯtaɡawa çiɾoꜜɕiɡe]), born Andō Tokutarō (安藤 徳太郎; 1797 – 12 October 1858), was a Japanese ukiyo-e artist, considered the last great master of that tradition.

Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tōkaidō and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan’s Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige’s choice of subject, though Hiroshige’s approach was more poetic and ambient than Hokusai’s bolder, more formal prints. Subtle use of color was essential in Hiroshige’s prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.

For scholars and collectors, Hiroshige’s death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868. Hiroshige’s work came to have a marked influence on western European painting towards the close of the 19th century as a part of the trend in Japonism. Western European artists, such as Manet and Monet, collected and closely studied Hiroshige’s compositions: Vincent van Gogh, for instance, painted copies of some Hiroshige prints.